https://danielhewitt.com Daniel Hewitt Photographer Wed, 12 Nov 2025 13:41:16 +0000 https://danielhewitt.com en https://danielhewitt.com/Home Fri, 16 Nov 2018 12:13:46 +0000 Daniel Hewitt Photographer https://danielhewitt.com/Home https://danielhewitt.com/Geometry-Geology-II Fri, 10 Jul 2020 15:32:40 +0000 Daniel Hewitt Photographer https://danielhewitt.com/Geometry-Geology-II <img width="2000" height="1600" width_o="2000" height_o="1600" data-src="https://freight.cargo.site/t/original/i/8435745092168993e45f9a833bb841389d2449d89e84a755e3d45475cfd5c49d/Daniel-Hewitt-Photographer-Geometry-Geology-II-Alexandra-and-Ainsworth-Estate---Cauldron-Snout-2000px.jpg" data-mid="77035605" border="0" src="https://freight.cargo.site/w/1000/i/8435745092168993e45f9a833bb841389d2449d89e84a755e3d45475cfd5c49d/Daniel-Hewitt-Photographer-Geometry-Geology-II-Alexandra-and-Ainsworth-Estate---Cauldron-Snout-2000px.jpg" /> <img width="2000" height="1600" width_o="2000" height_o="1600" data-src="https://freight.cargo.site/t/original/i/071848d144090b88094e44e014bd719ffe1a12f7f579b9cda9912f22cb25e041/Daniel-Hewitt-Photographer-Geometry-Geology-II-National-Theatre---Cow-Rock-2000px.jpg" data-mid="82977388" border="0" src="https://freight.cargo.site/w/1000/i/071848d144090b88094e44e014bd719ffe1a12f7f579b9cda9912f22cb25e041/Daniel-Hewitt-Photographer-Geometry-Geology-II-National-Theatre---Cow-Rock-2000px.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f07ee6de280939c4c15488c08e07240c021d3737e2f814a9f508a1a75a95904b/Daniel-Hewitt-Photographer-Geometry---Geology-II-Hayward-Gallery---Brimham-Rocks-2000px.jpg" data-mid="82977387" border="0" src="https://freight.cargo.site/w/1000/i/f07ee6de280939c4c15488c08e07240c021d3737e2f814a9f508a1a75a95904b/Daniel-Hewitt-Photographer-Geometry---Geology-II-Hayward-Gallery---Brimham-Rocks-2000px.jpg" /> <img width="2000" height="1600" width_o="2000" height_o="1600" data-src="https://freight.cargo.site/t/original/i/ae42edf597e53e92e4f786874403a3d15015cd5e411f9143006ab874f1f42454/Daniel-Hewitt-Photographer-Geometry-Geology-II-Alexandra-and-Ainsworth-Estate---Gordale-Scar-2000px.jpg" data-mid="77061411" border="0" src="https://freight.cargo.site/w/1000/i/ae42edf597e53e92e4f786874403a3d15015cd5e411f9143006ab874f1f42454/Daniel-Hewitt-Photographer-Geometry-Geology-II-Alexandra-and-Ainsworth-Estate---Gordale-Scar-2000px.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/fc68da5c6b294cc929057da936ec0c345a1e73768bd8d960da7f7b57f6e6593d/Daniel-Hewitt-Photographer-Geometry-Geology-Trellick-Tower---Cauldron-Snout-2000px.jpg" data-mid="77133564" border="0" src="https://freight.cargo.site/w/1000/i/fc68da5c6b294cc929057da936ec0c345a1e73768bd8d960da7f7b57f6e6593d/Daniel-Hewitt-Photographer-Geometry-Geology-Trellick-Tower---Cauldron-Snout-2000px.jpg" /> <img width="2000" height="1600" width_o="2000" height_o="1600" data-src="https://freight.cargo.site/t/original/i/1460ebe739c9d1d3802d49946e2e5f36691bfd1e155b2e26f0fabe6dbea0383f/6-Daniel-Hewitt-Photographer-Geometry---Geology-II-Barbican-Estate---Malham-Cove-2000px.jpg" data-mid="120233896" border="0" src="https://freight.cargo.site/w/1000/i/1460ebe739c9d1d3802d49946e2e5f36691bfd1e155b2e26f0fabe6dbea0383f/6-Daniel-Hewitt-Photographer-Geometry---Geology-II-Barbican-Estate---Malham-Cove-2000px.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2ad91768de28eae84761df74b75c4e9643c4aef9cc7cebb935700eb886a0cfb0/Daniel-Hewitt-Photographer-Geometry---Geology-II-Robin-Hood-Gardens---Kilnsey-Crag-2000px.jpg" data-mid="83574921" border="0" src="https://freight.cargo.site/w/1000/i/2ad91768de28eae84761df74b75c4e9643c4aef9cc7cebb935700eb886a0cfb0/Daniel-Hewitt-Photographer-Geometry---Geology-II-Robin-Hood-Gardens---Kilnsey-Crag-2000px.jpg" /> GEOMETRY + GEOLOGY II (2020) Geometry + Geology II is an essay in personal memory. It develops themes I first explored in Geometry + Geology (2010-2014). I spent my childhood living on the edge of the Yorkshire Dales, and many holidays in the mountains of northern England. On moving to London as an adult, I noticed that its Brutalist buildings were often reminiscent of the rocks I grew up with. The rough, weather-stained, shuttered or sand-blasted concrete resembled the erosion-scarred terrain of the mountains; both essentially dark materials, especially in dour weather. The shadowy nooks and crevices inspired trepidation, and yet invited exploration. In&nbsp;The Seven Lamps of Architecture, John Ruskin writes of the significance of ‘power’ (or the sublime) in architecture. He cites the epic, uninterrupted wall, the ‘precipice’, as the archetypal expression of abstract power. To me, these Brutalist monoliths—like their mountain counterparts—also carry with them a sense of melancholy and solitude. Impervious, stark, with intersecting planes conveying a sense of geological force and weight. The geometric compositions add further to a sense of abstraction. There are no obvious symbolic forms introduced by the architects. The geometry is strong, but irregular. The buildings, considered as wholes, do not have lines of symmetry, again suggesting a comparison with mountain rock. The fact that the North’s craggy landscapes enjoy widespread appeal, whereas Brutalist architecture is commonly hated—at least in the UK—also adds a compelling layer of paradox. The dark and strange is visible in the celebrated and familiar, and vice versa—a special instance of the Freudian uncanny.Photographed on 5x4” sheet film &amp; collaged in Photoshop. Limited edition fibre based black &amp; white silver gelatin prints are available from my shop. https://danielhewitt.com/Crystal-Paris Thu, 17 Dec 2020 21:42:37 +0000 Daniel Hewitt Photographer https://danielhewitt.com/Crystal-Paris <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/cb0ff543e212b558a3b69eb10e5a3de258d66dcef1d9e0fda0703f7550fe161c/Daniel-Hewitt-Photographer-Crystal-Paris-01.jpg" data-mid="92496348" border="0" src="https://freight.cargo.site/w/1000/i/cb0ff543e212b558a3b69eb10e5a3de258d66dcef1d9e0fda0703f7550fe161c/Daniel-Hewitt-Photographer-Crystal-Paris-01.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0d0524b54348eb014b1cb7bce17f7c5f59dc4120e7bdbdd0423023252f388337/Daniel-Hewitt-Photographer-Crystal-Paris-Belvedere-01.jpg" data-mid="177035315" border="0" 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src="https://freight.cargo.site/w/1000/i/04555ee788263df0ea7ac8975171fc2c6201863c251b55bf33d7712c7207f341/Daniel-Hewitt-Photographer-Crystal-Paris-Mozza.jpg" /> CRYSTAL PARIS (2020–2023) “Graffiti is like boxing.The people who do it “professionally” tend to go round in circles pulling the same old moves all the time.The real entertainment takes place on Amateurs’ night. That’s when you get to watch the bitter and twisted unleash all their pent up frustrations on an unsuspecting public in a desperate attempt to make some kind of point before collapsing under a cloud of their own bloodied spit.” Banksy, epigraph to Pictures of Walls (POW, 2005)I moved to Crystal Palace, South London, in 2012. At the time, the whole area seemed a bit neglected—Crystal Palace Park especially. I didn’t see many Dr Who episodes as a young child, but one sticks in my memory: of Daleks attempting a futile chase across some rocky waste ground. The atmosphere was grey and tense. The park made me think of that scene—and more vividly every time I took the children out in their buggy over the next 5 or so years. (Daleks and temperamental children in buggies are not so dissimilar.) As you might expect from such a place, there’s plenty of scope for people to dream of different worlds. I’ve tried to capture some of those dreams.Limited edition Giclée prints made on Hahnemüle Fine Art Baryta 325gsm paper are available from my shop. https://danielhewitt.com/Concrete-House-Sussex Mon, 13 Feb 2023 00:48:55 +0000 Daniel Hewitt Photographer https://danielhewitt.com/Concrete-House-Sussex <img width="1599" height="2000" width_o="1599" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f922c39f3193e270b30419a8fab5bf9075f16075a17da4b75620eefad2721e72/Daniel-Hewitt-Photographer-Concrete-House-Sussex-01.jpg" data-mid="168153363" border="0" src="https://freight.cargo.site/w/1000/i/f922c39f3193e270b30419a8fab5bf9075f16075a17da4b75620eefad2721e72/Daniel-Hewitt-Photographer-Concrete-House-Sussex-01.jpg" /> <img width="1599" height="2000" width_o="1599" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d425fb9066bed46a01f5cdd8497b77ee331b464060c2a3014b203d7df6fd91ed/Daniel-Hewitt-Photographer-Concrete-House-Sussex-08.jpg" data-mid="168153369" border="0" 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data-src="https://freight.cargo.site/t/original/i/dfbc0772eae2858a914f267f62ae16a217f2118e4d0df428015c6989740d9eb2/Daniel-Hewitt-Photographer-Barbican-Estate-2025-22.jpg" data-mid="242401987" border="0" src="https://freight.cargo.site/w/1000/i/dfbc0772eae2858a914f267f62ae16a217f2118e4d0df428015c6989740d9eb2/Daniel-Hewitt-Photographer-Barbican-Estate-2025-22.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/173155ddf08c77e576493264eb1a9a16d00f25990c01aa2768cb8ff31c9968c4/Daniel-Hewitt-Photographer-Barbican-Estate-2026-03.jpg" data-mid="242458037" border="0" src="https://freight.cargo.site/w/1000/i/173155ddf08c77e576493264eb1a9a16d00f25990c01aa2768cb8ff31c9968c4/Daniel-Hewitt-Photographer-Barbican-Estate-2026-03.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/64359028634e535da3c6a0c430e004d9f958fd6212dc1bb2feb3aed2521b9d3d/Daniel-Hewitt-Photographer-Barbican-Estate-25-08-13-11.jpg" data-mid="240622099" border="0" src="https://freight.cargo.site/w/1000/i/64359028634e535da3c6a0c430e004d9f958fd6212dc1bb2feb3aed2521b9d3d/Daniel-Hewitt-Photographer-Barbican-Estate-25-08-13-11.jpg" /> https://danielhewitt.com/Geometry-Geology Wed, 01 Feb 2012 22:39:35 +0000 Daniel Hewitt Photographer https://danielhewitt.com/Geometry-Geology <img width="1601" height="2000" width_o="1601" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c7c841115e338cdf386082c912fcf8f6a7d98752ed370ac8e73f06a9bb9326d4/01-Daniel-Hewitt-Photographer-Geometry-Geology-National-Theatre-web.jpg" data-mid="56399423" border="0" alt="National Theatre" data-caption="National Theatre" 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&amp; Ainsworth Estate" data-caption="Alexandra &amp; Ainsworth Estate" src="https://freight.cargo.site/w/1000/i/497cbcd309b88de34670ae3aa793203660773c8fa2ed75c1242d167a4a024a23/05-Daniel-Hewitt-Photographer-Geometry-Geology-Alexandra-Ainsworth-02-web.jpg" /> <img width="2000" height="1600" width_o="2000" height_o="1600" data-src="https://freight.cargo.site/t/original/i/7fbb0828c163909b17b227e8a540bd902fbafaef848b0dd6f9c93a1e1c367828/06-Daniel-Hewitt-Photographer-Geometry-Geology-Cauldron-Snout-web.jpg" data-mid="56399428" border="0" alt="Cauldron Snout" data-caption="Cauldron Snout" src="https://freight.cargo.site/w/1000/i/7fbb0828c163909b17b227e8a540bd902fbafaef848b0dd6f9c93a1e1c367828/06-Daniel-Hewitt-Photographer-Geometry-Geology-Cauldron-Snout-web.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" 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data-src="https://freight.cargo.site/t/original/i/4f00913d758f68521b952671b8791136fa7f04876ee765fc98dd111b6ab5298f/15-Daniel-Hewitt-Photographer-Geometry-Geology-Institute-of-Education-web.jpg" data-mid="205045130" border="0" src="https://freight.cargo.site/w/1000/i/4f00913d758f68521b952671b8791136fa7f04876ee765fc98dd111b6ab5298f/15-Daniel-Hewitt-Photographer-Geometry-Geology-Institute-of-Education-web.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7ff203362147e4d11220064cec6602e425a992412ee6792a7292433ec8552a6c/16-Daniel-Hewitt-Photographer-Geometry-Geology-Greenfield-Beck-web.jpg" data-mid="205045131" border="0" src="https://freight.cargo.site/w/1000/i/7ff203362147e4d11220064cec6602e425a992412ee6792a7292433ec8552a6c/16-Daniel-Hewitt-Photographer-Geometry-Geology-Greenfield-Beck-web.jpg" /> GEOMETRY + GEOLOGY Geometry + Geology is an exploration of the formal and expressive affinities between Brutalist architecture and rock formations in northern England. The Brutalism I’m concerned with is concrete architecture in London from the 1960s and 70s. The name derives in part from Le Corbusier’s use of the term ‘béton brut’ (raw concrete) to describe the unadorned, and frequently rough-sawn timber-shuttered concrete structures of his later works. By ‘formal’, I mean shape, line, massing, surface texture, colour, etc. By ‘expressive’, I mean our capacity to recognise objects as conveying a mood or atmosphere which engages with our emotions. (A theory of expression is important to my work, but a little convoluted to get into here.) “The point of philosophy is to start with something so simple as not to seem worth stating, and to end with something so paradoxical that no one will believe it.” Bertrand Russell SIMPLE OBSERVATION #1: Frequently, architecture looks like other things. 1. Architecture has often been designed explicitly to look like other things; sometimes elegantly, sometimes comically. For example, statues embedded in Egyptian columns, acanthus leaf mouldings on Corinthian capitals, Gothic rose windows, the oil refinery imagery in the Lloyd’s Building, the eagle form of the TWA Terminal at JFK airport in New York, and the Longaberger Basket Company HQ in Newark, Ohio. 2. Sometimes resemblances are seen which may not have been intended. Often, these are comic,&nbsp;such as the ‘Gherkin’, ‘Cheesegrater’, or ‘Walkie-Talkie’ 3. To my knowledge, few architects or critics have made any sustained comparison between Brutalism and landscape. The usual comparisons are with ships and castles. An exception is Denys Lasdun, who conceives the articulation of circulation routes in some of his buildings as akin to geological ‘strata’. Jonathan Meades also makes a comparison with waterfalls in his film ‘Brutalism, Bunkers, &amp; Bloody-mindedness’ (2014). SIMPLE OBSERVATION #2 People hate Brutalism There’s probably a sizable majority of the population who regard Brutalist architecture with a mixture of incomprehension and contempt. The phrase ‘concrete monstrosity’ is a familiar refrain in the popular press. Sir Simon Jenkins wrote in the Guardian: ‘Two long cliffs of grey, stained concrete enclose mean staircases, narrow decks and unusable balconies, a prison without a roof endured by 600 people for half a century. The east London Pevsner guide calls Robin Hood Gardens "rough and tough ... ill-planned to the point of inhumane". Not one current resident to my knowledge has stepped forward in its defence. Had the estate not been designed by two gurus, Peter and Alison Smithson, no one would be shedding a tear. ...The Smithsons were ideologues of the “street in the sky”, the vertical village, the Clockwork Orange tunnel, the urinal stairwell and shuttered concrete. Their ethos was so influential that hardly a British town is without some Smithsonian pastiche, like London’s Hayward Gallery.&nbsp;They were an ugly blind alley in urban design, rejecting the street life and humanism espoused by writers such as Jane Jacobs in favour of a brutal Corbusian totalitarianism.’The main point to notice is the ease with which Jenkins associates the materials from which the building is made with problems he identifies with its spatial design and use, such that any other building of similar style is condemned from the outset. SIMPLE OBSERVATION #3: People love the rock formations of northern England. They are National Parks; protected landscapes; scenes that feature on popular postcards, etc.&nbsp;All year round the hills are a place of leisurely pilgrimage for picnickers, walkers, and all manner of outdoor sports enthusiasts. Countless pictures celebrate the landscape’s verdancy and its ruggedness. The bucolic and the sublime coexist happily in the minds of most, it would seem. PARADOXICAL OBSERVATION: Brutalism is the architectural image of the rock formations of northern England. The dark and sinister is visible in the celebrated and familiar, and vice versa—a special instance of the Freudian uncanny. COMPARISONS The similarities I aim to depict are the sense of sublime scale and monolithic bleakness. The rough, weather-stained face of the shuttered concrete resembles the irregularities found in the erosion-scarred terrain of mountain rock. The darkness of the material in wet and grey weather matches that of the frequently dour conditions of the mountains. The shadowy nooks and crevices inspire trepidation and invite exploration. In The Seven Lamps of Architecture, Ruskin writes of the significance of ‘power’ (or the sublime) in architecture, citing the epic, uninterrupted wall, the ‘precipice’, as the archetypal expression of abstract power. The effect of severe, unyielding magnitude also carries with it a sense of melancholy in its solitude. The Brutalist buildings photographed exemplify this sense of imperviousness: solitary, stark, with intersecting planes conveying a sense of geological force and weight. The geometric compositions add to a sense of abstraction. There are no obvious symbolic forms introduced by the architects. The geometry is strong, but irregular. The buildings, considered as wholes, do not have lines of symmetry; again, suggesting a comparison with mountain rock. The series is photographed on Ilford HP5 &amp; FP4 5x4 inches sheet film. Limited edition prints are available from my shop. https://danielhewitt.com/SHARD Tue, 16 Oct 2012 20:40:23 +0000 Daniel Hewitt Photographer https://danielhewitt.com/SHARD <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ac1409178743aea2b9d190ab4ebe34faf77cb05b3e082faa437f63fa47b66422/Dainel-Hewitt-Photographer-SHARD-05-web.jpg" data-mid="53039126" border="0" src="https://freight.cargo.site/w/1000/i/ac1409178743aea2b9d190ab4ebe34faf77cb05b3e082faa437f63fa47b66422/Dainel-Hewitt-Photographer-SHARD-05-web.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/6298badcc6f2a3d548dba7dab98c544c8d09bafcac4524b302b302f30142a90b/Dainel-Hewitt-Photographer-SHARD-07-web.jpg" data-mid="53039127" border="0" src="https://freight.cargo.site/w/1000/i/6298badcc6f2a3d548dba7dab98c544c8d09bafcac4524b302b302f30142a90b/Dainel-Hewitt-Photographer-SHARD-07-web.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a3941b425b87a66fd193ad728689686b234983f124598d0f432512035a628081/Daniel-Hewitt-Photographer-SHARD-18-web.jpg" data-mid="53040667" border="0" src="https://freight.cargo.site/w/1000/i/a3941b425b87a66fd193ad728689686b234983f124598d0f432512035a628081/Daniel-Hewitt-Photographer-SHARD-18-web.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/88d7a4be97981cfd30388be66f83485e57ec80cf9658ec51ecae356527848f5a/Daniel-Hewitt-Photographer-SHARD-23-web.jpg" data-mid="53041259" border="0" src="https://freight.cargo.site/w/1000/i/88d7a4be97981cfd30388be66f83485e57ec80cf9658ec51ecae356527848f5a/Daniel-Hewitt-Photographer-SHARD-23-web.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1ea0c33f2bc2147b60f0177cae4dde1e78703c7f2ba8b7657ce46f81eb22a989/Daniel-Hewitt-Photographer-SHARD-28-web.jpg" data-mid="53041909" border="0" src="https://freight.cargo.site/w/1000/i/1ea0c33f2bc2147b60f0177cae4dde1e78703c7f2ba8b7657ce46f81eb22a989/Daniel-Hewitt-Photographer-SHARD-28-web.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4957933997f11978b6bb1c3fb0b9ebd09a47d997aed6775d838d4402f204bb58/Daniel-Hewitt-Photographer-SHARD-29-web.jpg" data-mid="53042740" border="0" src="https://freight.cargo.site/w/1000/i/4957933997f11978b6bb1c3fb0b9ebd09a47d997aed6775d838d4402f204bb58/Daniel-Hewitt-Photographer-SHARD-29-web.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8098fbf10fd8ad1b272de657db4ee548a96bb9cc505037ba6845fc24399d4f6e/Dainel-Hewitt-Photographer-SHARD-03-web.jpg" data-mid="205143153" border="0" src="https://freight.cargo.site/w/1000/i/8098fbf10fd8ad1b272de657db4ee548a96bb9cc505037ba6845fc24399d4f6e/Dainel-Hewitt-Photographer-SHARD-03-web.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/3a9b320ca07756d4c7781e612c9a3491c359180fe8165c75d95a18608d412519/Dainel-Hewitt-Photographer-SHARD-06-web.jpg" data-mid="205143154" border="0" src="https://freight.cargo.site/w/1000/i/3a9b320ca07756d4c7781e612c9a3491c359180fe8165c75d95a18608d412519/Dainel-Hewitt-Photographer-SHARD-06-web.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/5b46d5a831ad062ca22479dba4d772e0f22d7b90e0bc801dc09157ff82d18159/Dainel-Hewitt-Photographer-SHARD-22-web.jpg" data-mid="205143155" border="0" src="https://freight.cargo.site/w/1000/i/5b46d5a831ad062ca22479dba4d772e0f22d7b90e0bc801dc09157ff82d18159/Dainel-Hewitt-Photographer-SHARD-22-web.jpg" /> SHARD (2010–2013) The Shard is a building of immense scale and commercial ambition. Architectural photography usually celebrates such aspiration with images of pristine completion. By contrast, what I found most interesting about the Shard, was the progress of its construction. The photographs here are a selection from a project documenting the intrusion of the Shard into the London skyline. The priapic thrust of its concrete core became most pronounced above the surrounding buildings in the autumn of 2010. Its once domineering neighbour, Guy's Hospital tower, rendered subservient—now a cute, pet-like Brutalist accessory. Steelwork, encroaching from below, appeared at once skeletal and web-like, rapidly enmeshing the trapped core. This totem of exorbitance intrigued me with its inadvertent, untimely imagery of decay; tower crane vultures picking at the gestating carcass. As time passed, the paradoxical impression of entropy in construction has been gradually replaced with the immaculate blade of glass, gleaming (especially from a distance) in the twilight. I've attempted to convey a sense of ambivalence in the series considered as a whole. There's an inevitable sense of menace in structures which dwarf humans to such an extent. The shroud of mist, or uplit cloud emphasise the distance between the ever-narrowing upper levels and the population confined to the ground. As a symbol of capitalism's tendency toward income disparity, it's fairly apposite. The gleam when seen from a distance either side of sunrise or sunset—at the time, unique to the Shard among tall buildings in central London—seduces. The series consists of 32 photographs made on 5x4 sheet film in the period 2010–2013. Limited edition C-type colour prints and fibre based black &amp; white silver gelatin prints are available from my shop. Commercial and editorial use is licensed by Millennium Images and VIEW Pictures. https://danielhewitt.com/Poetics-of-Space Sun, 23 Jun 2013 12:22:01 +0000 Daniel Hewitt Photographer https://danielhewitt.com/Poetics-of-Space <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ecb38a40a9cfedd801f41a97e4f114c6f6c727ee7eb14a9723a86405920bd1b8/Daniel-Hewitt-Photographer-Poetics-of-Space-Allianz-Arena-01.jpg" data-mid="141568980" border="0" src="https://freight.cargo.site/w/1000/i/ecb38a40a9cfedd801f41a97e4f114c6f6c727ee7eb14a9723a86405920bd1b8/Daniel-Hewitt-Photographer-Poetics-of-Space-Allianz-Arena-01.jpg" /> <img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/95d73d7742e4348eb02f74b32f7622e9459dba5dd7a094718973c88e1392c4e3/Daniel-Hewitt-Photographer-Poetics-of-Space-SANAA-Serpentine-Pavilion-2009-01.jpg" data-mid="141568986" border="0" src="https://freight.cargo.site/w/1000/i/95d73d7742e4348eb02f74b32f7622e9459dba5dd7a094718973c88e1392c4e3/Daniel-Hewitt-Photographer-Poetics-of-Space-SANAA-Serpentine-Pavilion-2009-01.jpg" /> <img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/73b440ddedd862050f57e81f31cefe869158f83b30350d320e83b1c1d8f031dd/Daniel-Hewitt-Photographer-Poetics-of-Space-London-Metropolitan-University-2011.jpg" data-mid="141869902" border="0" src="https://freight.cargo.site/w/1000/i/73b440ddedd862050f57e81f31cefe869158f83b30350d320e83b1c1d8f031dd/Daniel-Hewitt-Photographer-Poetics-of-Space-London-Metropolitan-University-2011.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/db80e2df91c986b1e13b0baac30103acc5eef9740c7ee40258783f9c6a6b54d2/Daniel-Hewitt-Photographer-Poetics-of-Space-Laban-Centre.jpg" data-mid="141568983" border="0" src="https://freight.cargo.site/w/1000/i/db80e2df91c986b1e13b0baac30103acc5eef9740c7ee40258783f9c6a6b54d2/Daniel-Hewitt-Photographer-Poetics-of-Space-Laban-Centre.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f622b66de32aa5e0d964a3c30ba67d0593ec8529e36e11464c4018c92747f6fa/Daniel-Hewitt-Photographer-Poetics-of-Space-Westminster-Academy-01.jpg" data-mid="141568987" border="0" src="https://freight.cargo.site/w/1000/i/f622b66de32aa5e0d964a3c30ba67d0593ec8529e36e11464c4018c92747f6fa/Daniel-Hewitt-Photographer-Poetics-of-Space-Westminster-Academy-01.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/40f0350de843f2f4599c0ae133eb34488d2d44dc6d3205c932c69af3ebbe86ba/Daniel-Hewitt-Photographer-Jeffrey-James-Overhill-Road-2010-01.jpg" data-mid="142103860" border="0" src="https://freight.cargo.site/w/1000/i/40f0350de843f2f4599c0ae133eb34488d2d44dc6d3205c932c69af3ebbe86ba/Daniel-Hewitt-Photographer-Jeffrey-James-Overhill-Road-2010-01.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1d9b2b69b666004c53382c83d18941271e4379070f2895152da3eba2f67ae505/Daniel-Hewitt-Photographer-Poetics-of-Space-London-Eye-2009-01.jpg" data-mid="141568984" border="0" src="https://freight.cargo.site/w/1000/i/1d9b2b69b666004c53382c83d18941271e4379070f2895152da3eba2f67ae505/Daniel-Hewitt-Photographer-Poetics-of-Space-London-Eye-2009-01.jpg" /> <img width="2000" height="1600" width_o="2000" height_o="1600" data-src="https://freight.cargo.site/t/original/i/6c8f571a29a3e6b85244f76df53e0848f5bbbe34395764ae56e9b448c4b39027/Daniel-Hewitt-Photographer-Poetics-of-Space-Millennium-Dome-The-O2-Richard-Rogers-Partnership-5x4-2011.jpg" data-mid="141568985" border="0" src="https://freight.cargo.site/w/1000/i/6c8f571a29a3e6b85244f76df53e0848f5bbbe34395764ae56e9b448c4b39027/Daniel-Hewitt-Photographer-Poetics-of-Space-Millennium-Dome-The-O2-Richard-Rogers-Partnership-5x4-2011.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f8a027e885403500beefc4ffe832944d6b9b5cb977d8150882c29b4faf8fb292/Daniel-Hewitt-Photographer-Poetics-of-Space-Future-Systems-Selfridges-03.jpg" data-mid="141568982" border="0" src="https://freight.cargo.site/w/1000/i/f8a027e885403500beefc4ffe832944d6b9b5cb977d8150882c29b4faf8fb292/Daniel-Hewitt-Photographer-Poetics-of-Space-Future-Systems-Selfridges-03.jpg" /> &nbsp;